Synopsis

My name is Christian E Aldana the artist 10:01 founder of Spatiostructuralism. Ten hours one minute emanated in the years 1995 and 1997 as a symbol of ontology and thermodynamics. It was a center of argumentation amongst philosophy students and friends, the aim was to find equilibrium and restore the position of man Homo sapiens in the eve of the nuclear age.

Spatiostructuralism along with 10:01 combine and approach existing physical properties of space with its theoretical connotation “entropy” and “all motion in collapse”. The narrative concept behind the nuclear age unfolds immediately into the space age; raumzeitalters. The nuclear age as an emblem that provides absolute living conditions for civilization and the space age with systems of acceleration leading us outside J R Oppenheimers world estate.

The work I do is based on the space time structure. My work is best described in the concept of time and its relation to matter and in the concept of speed with relation to mass. It can be seen in my paintings “Infinite Vectors” “Infinite Vector” sculpture and “Gravity Painting”. A “Gravity Painting” can be related to the concept of speed with relation to mass. In this platform painting is dropped from a 5th floor level onto an aluminum board canvas. In “Orpheus” according to the giant impact hypothesis the moon is taken back to its asteroid collision with the earth 4.5 billion years (Orpheus is the name of the asteroid given by geophysicists studying the theory).

With spatiostructuralism my inspiration becomes objective. It helps me direct form into a complex spatial existence. Spatiostructuralism is a design typology that translates form from the basic premises of the relativistic field theory. It communicates the purpose in relativity by bringing back the poetics of a unified corporeality, eliminating the space time continuum and integrating the space time structure with the speed of light as the fourth dimensional coordinate. Spatiostructuralism derives from raumlichzeitlic; spatiotemporal. A fundamental in Albert Einsteins’ construction of E=mc2.